Thursday, 30 August 2012

Mugamoodi Movie Review


Mugamoodi Official Poster

Mugamoodi, the first tamil superhero movie has been captained by Director Mysskin. Director Mysskin’s childhood interest, reading super hero comic books inspired him to make such a film. Mugamoodi is about an ordinary teenage guy, Anand known as Bruce Lee  who initially came with such a get up to impress a girl he admired but unfortunately he clashed with Angusaamy and his robbery team; kills Anand’s friend which situated Anand to maintain the Mugamoodi get up to revenge Angusaamy and also to hide himself from police. Mugamoodi casted by Jiiva as Anand known as Bruce Lee, Pooja Hedge as Shakti, Narain as Angusaamy, Nassar as Gaurav, Selvaa as Kung Fu Master Chandru and more.

            The film mostly based on night sequence and the visual was simply impressive which able to give the night thrilling emotion to the audience. The credit should go to the Cinematographer Sathya; the lighting really plays important part in this film because holding a lot of night sequences. The blue and yellow lighting make the visuals more happening and adaptive. ‘Vaaya Moodi Summa Iruda’ song visualization was fulfilled with beautiful creative shots and the locations are very fresh to the audience which really adds credits to the film. Sathya showed the intro of Mugamoodi with beautiful movements and angles; this sequence is very important to the film because here the Mugamoodi were exposed to the audience and it must create a positive reaction from the audience as a first impression over the super hero character.
            Mugamoodi songs and background scores was composed by young musician Krishnamurthi known as K. Background scores also plays important part is this film as booster for the intro of Mugamoodi and also for the action sequences. ‘Vaaya Moodi Summa Iruda’ song as cream of the cake in this album which earns good response from the audience. Director Mysskin is very clear what the needs of the story; he just slotted only two songs in this film. ‘Naatule – Bar Anthem’ song is sung by Mysskin himself and the song got touch of ‘Kannadasan Karaikudi’ song from his previous film Anjaathey in case of concept and choreography. It seems Director Mysskin interested in bar songs and he like to have that kind of songs in his films.

            Another important element in Mugamoodi is the stunts that involved in this film. In another side, Mugamoodi also is a film for martial arts, Wing Chu. The stunts were choreographed by Tony Leung from Hong Kong. Tony Leung is very experienced stunt master and also has worked with Bruce Lee in the film ‘Enter the Dragon’. Stunt movements been visualized very closely and various angle and that support for the sequence to form as full action pack sequence for the film. In other part, Mugamoodi costume was designed by Gaebriella Wilkins, who has worked with Disney land and Cirque du Soleil. The blue black costume suits the film climates very well to visualize beautiful dark and shadow shots and also to show Mugamoodi as super hero impressively.

            Mugamoodi edited by Gaugin. The story running is up and down. Some sequences were a bit draggy and incomplete. Especially the stunt sequence between Angusaamy and Master Chandru; the story never tell how Angusaamy killed master Chandru. The stunt sequence was handled very well by Editor Gaugin. As casting part, Jiiva has put good effort for highlighting then mugamoodi character especially learned Wing Chu and wearing the weight costume.  Pooja Hedge as Shakti role also noticeable because she is the main reason for the form of Mugamoodi who initially just came for impresses her. Director Mysskin has narrated and brought the script very well. His style of direction can see very well in Mugamoodi. This film produced by Ronnie Screwvala and Siddharth Roy Kapur under the studio UTV Motion Pictures.
            

Friday, 17 August 2012

Maestro Ilayaraja Sir & Gautham Sir - Neethane En Ponvasantham




Feel so happy... Gautham sir interview after so long wih Ilayaraja Sir... Really wonderful interaction between them... Continues smile in my face until the end of interview... Ilayaraja Sir talked with open hearted... Gautham Sir, you really increasing my eager to meet you... Yes... Im jealous on you but I feel proud of you too Sir... My God...

Really cant wait to hear the Ilayaraja Sir's magical tunes... 1st September 2012 is Neethane En Ponvasantham audio release in concert style... A Gautham Sir Film... Chewaa...

Friday, 13 July 2012

Billa II Review



Billa II Official Poster


Billa II been released worldwide on 13th July 2012 in more than 2500 theaters. Billa II is about how an ordinary man becomes an international don who originally came to Tamil Nadu as refugee and his previous life that filled with suffering. Billa II starring Ajith Kumar, Parvathy Omanakuttan, Bruna Abdullah, Vidyut Jamwal, Manoj K. Jayan, Sudhanshu Pandey and more. Director Chakri Toleti has written the script with Era Murukan and Jaffer Mohammed. The visual sense of the film really adds credits to the movie with many awesome angles and shots; R.D. Rajasekhar handled camera for Billa II.

The first part of the film is has been handled very persist by the team. The first part is about the intro of David Billa who came as refugee and how he build up his status; there are very less dialogs but still the screenplay never gave a boring impact to the audience. Suresh Urs has done a good job as Editor by make sure the part is not boring; showing every movement of David Billa very impressive with R. D. Rajasekhar’s wonderful visuals. Of course the Art Director V. Selvakumar played very important role in the movie especially in the first part; the location and set which used to place the refugees is very realistic. Even there are very less dialogs in the movie but the lines short and catchy especially David Billa’s dialogs and of course the credits goes to Unnaipol Oruvan fame Jaffer Muhammed.

Yuvan Shankar Raja has scored songs and background music for Billa II. As usual, Yuvan make a unique music for the film. His background scores really supporting the scenes to get impression from the audience. Seems, the movie has very minimum dialogs so the background scores plays important portion to fulfill the necessaries. The team has decided to make an continuity between Billa and Billa II, so theme music also inspires from Billa theme music. So, the audience can understand the continuity of the two stories. Some other aspects in the movie also purposely mentioned for the continuity; David Billa tells Jasmine that everything has been prepared in Malaysia and ask her to go there because Billa story written by Vishnuvardhan entirely based in Malaysia and also Rahman's guest appearance at the Palace of Georgia.   

After the interval, Billa II screenplay continue with how David Billa become a don by facing his enemies from inside and outside of the country; from politics, underground world, police, friends and more. So the second part is about how David Billa dominating the underground world and how overcoming his enemies. In this part David Billa start exploring to international smugglers; many exotic locations were placed in the second part of the movie. A lot of shots that includes violence and crimes were visualized very well. Locations were selected for this movie is very unique and suitable for the subjects; such as Palace of Georgia, Goa, and the climax location.

Palace of Georgia scenes adds credit to the film. Director Chakri Toleti and his team had made a great effort to visualize the scene there with the cold weather. Really need thank the Indian Government for their support towards Billa II team by granted the special permission from the Government of Georgia for having shooting there behalf the film crew. Seems, the palace is personal residential area of Georgia’s president; need to thank them too for their willingness. Same goes to the climax location; the villain’s weapon factory scenes are really bombastic with gun shots with train blast sequence. Ajith sir has done a great effort to make the climax fight scene by hanging on the helicopter without using other stunt master; no wonder Ajith sir dare to make stunt  by his own in his movies to make the shot realistic; bike stunt in mankatha, car stunt in Billa and Asal.

Its nearly took 6 months for the post production work of Billa II and the result can see in the movie very well. The dry colour tone of the movie surely gives the right feeling to the audience; specially the past of David Billa giving the flashback feeling to the audience by the sepia and dry tone with wonderful colour correction.  The VFX team also has done amazing work in the movie. VFX Supervisor Madhu Sudhanan and his team surely add value to the movie especially fight scenes and also Unakkulle Mirugam song visual. The gun fires and train blast are realistic. VFX team also has brought a great idea to visualize the Unakkulle Mirugam song. The semi-animated visual for Unakkulle Mirugam song looks like Billa II's montages at the same time.

Billa II is an international standard movie in many aspects; acting, visuals, locations, stunts, and last but not least the story and screenplay as backbone of the movie. The movie is produced by Sunir Kheterpal, Suresh Balaje and George Pius under the banner Wide Angle Creations and IN Entertainment. 




I wrote this review to share my views towards the movie and also to improve my film knowledge. Please forgive me if you feel I have written something wrong. Thank You.

Sunday, 1 July 2012

Looking For a Platform to Improve My Skills and Knowledge in Production





Hi my respective people and friends. I am fresh under graduate from University of Malaya. Here I am looking for a opportunity to work in media related productions. Here is my portfolio and I have attached few of my works in my portfolio. I also paid effort when undergoing my degree studies to gain practical knowledge in production due to my eager to achieve in film making industry. Please have a look on it. Please let me know if there is any platform for me to improve my skills and knowledge in productions via my particulars as below. Thank You. 




JEYAPRAGASH JEYAMURTHI
No. 727, Taman Saga,
Jalan Saga 3,
Jalan Tan Sri Manickavasagam,
70200 Seremban,
Negeri Sembilan.

Mobile Number: 016 – 975 3386



Personal Particular:

Date of Birth: 14th May 1988                                      Place of Birth: Seremban
I/C No: 880514 – 05 – 5497                                        Martial Status: Single
Nationality: Malaysian                                                 Age: 24 years
Race: Indian                                                                Sex:  Male
Religion: Hindu

Objective:

A dynamic, team-spirited and results oriented individual seeking to utilize analytical skills and to gain more experience regarding directing and broadcasting field and also to contribute your organizations growth and objectives in the international arena.

Education Background:

Year                : 2011-2012 (Year 4, Semester 2)
Course             : Degree in Media Studies (Broadcasting and Film Directing)
Institution         : University of Malaya                    
Grade              : Complete 
Related course: Film Directing, Television and Radio Production, Advertising.


Experiences:

2012
Photo Journalist for New Strait Times Journalism on Campus (JOC)
A newspaper publishing fieldwork training conducted by New Strait Times which is under NSTP.  The program explores the undergraduate media studies students to the newspaper publishing process.
  v  Able to capture ‘Stand Alone’ photos
  v  Able to understand the news angle and the need
  v  Able to show a subject creatively
  v  Able to work in tied schedule


2011 - 2012
Worked at Vanakkam Malaysia Dot Com Sdn. Bhd. as Offline Editor and Production Assistant for some TV programs for ASTRO VAANAVIL and RTM 2. Such as:

 v  Priya Telemovie RTM 2 – Assistant Director
Performed as Assistant Director for a tele-movie. The job scope was coordinating the script and the dialog delivery for every scene. Other than that, handling the continuity of the movie which is very important to make sure the movie’s weather is consistently moved.
    
 v  Santhipom Sinthipom 2 & Maanavar Muzhakkam 2011 Astro Vaanavil - Offline Editor
Handling the first process of an editing which is offline editing. Offline editing is rough cut over raw material of the program using Final Cut Pro.

 v  Paarvai - Production Assistant
Assisting the program by preparing the equipment and also confirming the news value the coverage.


2010
Performed practical training as Reporter at Current TV News Department (Tamil Desk), Radio Televisyen Malaysia (RTM).
  v  Able to do media coverage.
  v  Able to conduct interviews.
  v  Able to write news based on coverage.
  v  Trained to edit videos and news.
  v  Able to do translation.
  v  Able to do designing and create multimedia presentation.


Personal Skills:
   v  Able to capture news value photos, stand-alone photos, creativity photos. 
            v  Able to operate latest still cameras according to its function. 
v  Proficient in Final Cut Pro, Adobe Photoshop, Adobe After Effects, Adobe Soundbooth, Photostation.
v  Able to conduct a program such as show and media coverage.
v  Able to direct clips and also edit songs and music.
v  Holding wide knowledge about Indian Film Industry and music directors.
v  Able to produce more creative and innovative ideas.
v  Able to do designing such as billboard, name card, photos, montage
v  Have a good command of communication in English, Malay and Tamil
v  Possess a good written skills in English and Tamil
v  Able to manage small unit especially technical unit.
v  Have the ability to learn fast about new system
v  Can work independently and hardworking person
v  I have strong leadership skills and working in teams
v  Willing to work in tight dateline.
v Able to sing well.


My working stills for 'Priya' Tele-movie RTM 2

During shooting some exercise montages at Jalan Bukit Gasing


During shooting the stadium scenes at Stadium Bukit Jalil, Kuala Lumpur 


During shooting the stadium scenes at Stadium Bukit Jalil, Kuala Lumpur



My Movie and Music Video Review on my Blogspot:
(Click the Link)

Saguni Review

Vazhakku En 18/9  Review

Battleship Review

Naduvan Music Video Review



My works attached on my Blogspot:
(Click the Link)

The Man and His Paper
A Documentary by University of Malaya Media Studies 

Minnal fm's Enathu Kirukkal Multimedia Presentation

Minnal fm's Kalappadam Program Launching Montage


I also interested in Photography due to improve my visual sense. I have been trained by New Straits Times under the Journalism On Campus (JOC) program.


Sports:

 



A assignment that I when during JOC training at New Strait Times was CIMB Nicol David KL Open Squash Championship at Bukit Jalil. This was most interesting and challenging assignment for because here I learnt how to captures movements and expressions. I also successfully captured Nicol David’s speed movements with her expression. - Pics By Jeyapragash Jeyamurthi



Modelling:









Ziana Zain and Jacklyn Victor photo shoot was take place at a studio in NSTP. This photo shoot was for celebrity purpose. I have taken many stills on them. This assignment teaches me how to show a person attractively via still pictures and also about creative angles. - Pics By Jeyapragash Jeyamurthi






Exhibiton:




These images were taken at Shoe Festival 2012 which held in PWTC. I have learnt how to show to a object impressively during this assignment. This assignment in New Strait Times teaches me about creative angles. 
- Pics By Jeyapragash Jeyamurthi



Festivals:

Thaipusam celebration at Mariamman Temple, Kuala Lumpur. Pic By Jeyapragash Jeyamurthi



Wesak day celebration at Seremban. Pic By Jeyapragash Jeyamurthi





Creativity stills:





Pics By Jeyapragash Jeyamurthi




My Designs:






And at last my photos:









Friday, 22 June 2012

Saguni Movie Review





Saguni film is basically about a guy who struggles to protect his family heritage house from destroyed by the government for a railway contract. Seems nobody can help him; he became a political kingmaker which was only way to safe his family heritage house at Kaaraikudi.  Saguni directed by debutant director N. Shankar Dayal and it was huge introduction for him. The new director able to roped in many famous actors in industries other than Karthi and Santhanam for his Saguni like Prakash Raj, Kotta Srinivasan, Radhika Sarathkumar and Nasser and this combination brought a huge publicity for the film before the release. G. V. Prakash has scored music for Saguni and the tracks sounds folk and romantic genre.

The introduction song for Kamal, ‘Kandha Kara Vadai’; gave a grand opening for the movie. But the visual continuity of the song is a bit poor. Seems, Kamal describing the life of Chennai people and their daily struggles for a moment but the climate of the song is not moving consistently; day and night shots been placed repeating. Kamal wearing same costume for the entire song which means the song comes along with the story and it happens in a day. So, the visual of the song will be more realistic if it’s moving from day to night consistently. The visualization of ‘Manesellam Mazhaiye’ song is adding credit to the film cinematographer P. G. Muthiah because the shot angles and shot placing is fulfilling the frame with creativity and unique.

The first half of the film is a bit dull and the shots are look similar. Kamal’s flashback revealing is not so impressive. The first part of flashback which is about Kamal’s family and his heritage house is adding credit to the storyline because it gives a random introduction what is the story is all about.  But the other parts of the flash back keep on telling about Sri Devi and that scenes reducing audience attention on the film. This is because Saguni film trailer have created an idea among people that it’s a political thriller presentation so dragging of love flashback in the film reducing audience expectation on the film via creating dull climate.

The second half of the film is the mass part. The second half showing how Kamal planning the Tamil Nadu politics as kingmaker and how connecting each of the main characters at the climax. In this part, all the actors provided awesome performance over their character. Prakash Raj as Tamil Nadu CM, Bhupati has showed the eager to make money in politics very well. As usual he played the villain character with consistent emotion and dialogues. Nasser as Swami Ji also handled his role wonderfully; Swaji Ji’s ‘before and after’ part has created humor feeling among the audience. Same goes to Radhika. The screenplay is so interesting and fast at the second half. The film Editor A. Sreekar Prasad, able to show Kamal’s under movement in the Tamil Nadu politics very thrilling.

Even the film does not mention about current Tamil Nadu politics directly but the entire film keep on telling how a politician must think and what he or she must do for people who voted for them. The director also trying to reveal his point that the normal people can be the leader for the society and at the same time they should think how they can improve the living quality of the community who voted for them. Saguni also have critics the mentality of the community; voting based on money and short term facilities providing by the political parties just to earn the votes. 

Saguni is produced by Anthony Xavier and distributed by Studio Green. Saguni is a film about how a politician should be and what he must do towards people who voted for him or her as a reply rather than kingmaker’s political game. 




This is my own review and I done this just improve my knowledge in film and production industry. Please forgive me if you feel I have written something wrong. Thank You.





Friday, 15 June 2012

Vazhakku En 18/9 Review


Vazhakku En 18/9 




    Vazhakku En 18/9 is another impressive presentation by director Balaji Saktivel sir. He as the director and writer of the film, gives more important to the story running and the characteristic of the film. S.D. Vijay Milton handled camera for this film and the visualization was superb but still got some sequence and scene was blurring and out of focus on the screen. Maybe they did it with purpose. Editing was done by Gopi Krishna, screenplay running very interestingly after interval of the movie and it shows the advantages of the editor very well. The main roles of the film is played by Sri as Velu, Mithun Murali as Dinesh, Urmila Mahanta as Jothi, Manisha Yadav as Aarthi and Muthuraman as Inspector Kumaravel, they showed out each characters very well. Eventhought, they are new faces but their performance like matured actors especially Velu and Inspector Kumaravel.  R. Prasanna has scored music for this film, he has done a good job but never utilize this opportunity very well because the music is not that much impressive and some bgm’s are not suitable for some scenes but still his scores for some scenes really bringing the audience into the story. Hope he will improve in his next film to make sure to get a bright future soon. The film is produced by UTV Motion Pictures and Director N. Lingusamy’s Thiruppathi Brothers.

Vazhakku En 18/9 has delivered very important news as message of the film to the audience especially teenagers who get trouble via opposite sex attraction. The film explores the current higher education teenager’s mentality which is very possessive to sexual mentality and what that can cause over the innocent people. The film also showed the irresponsible and selfish characters that willing to do anything just for their own benefits especially people in higher position in the society. Other than that, Balaji sir have put some effort to create some awareness about the child working abuse; the country are huge in self-fish people. This message can see when the Sneak Factory owner refused the call for hero which bringing the news that his parents are passed away. This scene are so emotional because the innocent guy can’t even see his parents for last time, seems he suffering at Mumbai just for his parents to settle their debt.

Vazhakku En 18/9 is a low budget film obviously but still the director proved that the content and subject are more important than the film luxury. The main location of the film is road side, the mobile stall, the apartment and the hut; it was so simple, nice and needed by the script. But still the lighting of the film is a bit poor which provided noise in some shots for certain scene. Such as, the police station scene is seems a bit under expose but still that’s the one director needed maybe. The post production was done very well because the screenplay was very interesting and very minimum boring sequences. The scenes that explore Velu’s love over Jothi in until Aarthi’s flashback is so nice, humor and realistic. At the same time, Jothi’s reaction over Velu really adds points to the scenes.

 At last, Vazhakku En 18/9 is very realistic film and exposing a very important message to the audience especially teenager. Seems this film were produced with very basic things and low budget; the film can be a very good tutorial to the upcoming film makers like film students, short film makers and so. Director Balaji Saktivel sir is really creating his own style and trend and he keep on moving in the same track. Vazhakku En 18/9 is an awareness movie.

This is my own review and I done this just improve my knowledge in film and production industry. Please forgive me if you feel I have written something wrong. Thank You.